Photography Tutorials
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Tips on How to get sharp photos As photographers, one of our main aims, when we capture images, is to make sure that necessary elements in the scene are as crisp as they can be. There are a multitude of ways, both in-camera and in post-processing, to make sure your photos retain the sharpness they […]
How To Deal With Moving Objects In Exposure Blending Dealing with moving objects, like leaves/trees/foliage or people, in our images presents a challenge in all forms of exposure blending. With HDR software, moving objects are one of the more common causes of haloing and ghosting. In Digital Blending, we can completely avoid halos and ghosting, […]
Camera Settings – How To Shoot For Exposure Blending with Luminosity Masks Capturing the scene correctly in-camera is certainly the most important step in any photography workflow – a Digital Blending workflow is no different. No amount of post-processing can save a mood-less, blurry scene. It is important that we understand the incredible machine that […]
10 Tips For Effective Seascape Photography Being able to capture seascapes with powerful tides, interesting rock formations and dramatic light, is one of the most rewarding experiences for any landscape/seascape photographer. Just being around the water, before sunrise, with no one around, is a calming feeling. But to come away with a beautiful seascape image […]
Luminosity Masks Tutorial – Specific Contrast Adjustments Anyone who regularly uses luminosity masks knows exactly how powerful they are in producing beautiful imagery. Since they are an advanced selection technique, however, they can be used for much more than exposure blending. In fact, their power lies in their flexibility which we will touch on in […]
Why Use Luminosity Masks in Exposure Blending In the cold we wait; in the rain we hope, and during the night we look up at the sky and wonder when, if ever, those clouds will clear. As photographers we have little control over the conditions in which we shoot. We have our optimism, which, in […]
